The arbiter is our figurehead -- an aesthete with childish values, at once rational yet impetuous, easily provoked yet dependable. He has a quick wit dedicated mostly to word-play, coupled with a keen sense of the absurd, which possibly he sees as an ideal. He is cheerful, insincere, sincere and at the superficial level a deep thinker in despite of himself; he likes everyone, while secretly judging them and no less secretly judging himself for judging them; the standards by which he judges vary, but his private scepticism about the world and about himself remain unchanged. In the business of truth, he favours mercy above truth, yet in the considerations he excludes can be actually and inadvertently and therefore repeatedly cruel.
We like him because he never really stands in any particular person's way; we like him because he is comfortable shouldering the small yet inconvenient responsibilities those around him would prefer to be without. It should be added though that he remains as reluctant as we are to take on the mantle of any grave responsibilities, and maybe this also draws us closer. We look to him for guidance, and it is as if it is our search itself that creates in him the image of its resolution; when we put our problems to him, he represents them in such a way that their solutions are obvious.
Elsewhere, people try to sack him; people try to relocate him; people try to promote him. He refuses, without ever ceasing to smile, to become anything other than what he already is, and in such a way that no one is ever offended. Clearly he is not without ambition, for he has risen to the position he now holds. Yet he also seems without destiny, as though he occupied finally some still point between all-powerful forces, and not entirely by his own volition, either.